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"A creative and performing tour de force" Lesley Duncan, Poetry Editor, The Herald.

Dmytro's new scores for Fritz Lang's classic film, Metropolis, and F.W. Murnau's Nosferatu are now touring. View the Metropolis LIVE or Nosferatu LIVE pages for full details. Read the insightful reviews.

Dmytro is also working on a number of other projects, please check back or like his facebook page to keep up-to-date with what's happening.

See below for news on album releases and other events.

Please take a look around this website and click on links above to hear Dmytro's music on Spotify, Deezer, iTunes, Google Play and most streaming and download sites.

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Audience Responses: 'The first time Metropolis has actually moved me (to laughter and to tears)'. '…inspired score'. 'Well that was rather fantastic!'. '…absolutely electrifying'. '…a life-enriching event.'. '…spectacular'.

	Bach time for Babies is a new album created to soothe not only babies but parents too in the way that only Bach's music can. Available generally on download from Amazon, iTunes and many other sites. http://www.amazon.co.uk/Bach-Time-Babies-Dmytro-Morykit/dp/B00U51PX38
	Summer Snow is an EP of 4 pieces worked on with the amazing saxophonist, Steve Kettley. A great album for listening to whilst on the road. Download it from the numerous sites on the web.

Best Piano Covers (two) is now available on numerous download sites. This album includes many favourites such as Greensleeves, Mad World, Perfect Day, Schindler's List and The Godfather Love Theme.

The album 'Best Piano Covers', includes Dmytro's popular interpretation of Mike Oldfield's Tubular Bells. It is available for download from iTunes, Amazon etc. Amelie, Once upon a time in the West, Merry Christmas Mr Lawrence, The Flower duet and Clair de lune are all included.



The music page gives links to various film, dance and other projects. His own original compositions can be found on Google Play and iTunes.

To hire Dmytro for a commission or recital, go to the contacts page.

"He gave a piano recital of his own music in Poznan and was heroic: the piano was falling to bits. As it shed parts of itself he just kept on playing. If the whole thing had collapsed I reckon that he would have continued and that we would still have heard music."  Tom Hubbard